Friday, November 13, 2015
The Movement of Air: Dance and Digital Projection
If you happened to be in the country of France last month, well, lucky you. Aside from visiting historical and cultural sites, drinking wine and eating the best bread on Earth, you might have had the chance to see a magical dance performance orchestrated by Adrian M and Claire B. The hour-long piece, performed by a trio of dancers, was unique in that it combined choreography with digital projection imaging- and did so in a novel way.
Unlike more common uses of digital projection, rather than projecting prerecorded scenes in which the dancers performed, Adrian and Claire utilized fully-interactive scenes that responded to the dancers movement. That is to say, nothing was animated beforehand and the final visual performance was rather spontaneous, or, one could say... indeterminate.
As a dancer myself, I'm skeptical of many visual gimmicks that aim to enhance what is already an excellent (and stand-alone) dance performance. But I appreciate that, in this work, the digital imagery isn't added as an afterthought, and is actively responding to the dancers' movements. In a way, it creates a more complex dialogue between the dancer and the space: the projection responding to the dancer, the dancer responding to the unplanned projection.
Watch a montage of the performance highlights here.
Then curse yourself for not being able to see it performed live.